A team of dedicated artists and technologists devoted to crafting extraordinary creations.

Nuno joins UNIT with a wealth of experience, responsible for the technical and creative execution of several world class titles and commercials. He is also proudly holding nearly 20 years of experience in commercials, TV and Feature Films. 

After graduating in Fine Arts, Nuno began to discover his true passion for creating outstanding imagery and watching an idea created into reality. With this spark, he began to pursue his career starting as a Generalist TD at Objetivo 49 in 2006 before honing his craft at established VFX and post houses across the globe including The Mill, MPC and Gramercy Park Studios where he became Visual Effects Supervisor. 

Some of his Feature Film visual effects highlights include ‘Harry Potter And The Deathly Hallows part 2,’ ‘The Chronicles of Narnia;’ ‘The Voyage Of The Dawn Treader’ and ‘X-Men First Class.’

Nuno’s most recent work includes Amazon Studios series ‘The Rig’ and Netflix’s ‘No One Gets out Alive’ where he was the main Visual Effects Supervisor. His work on the series BBC’s ‘Supersized Earth’ and Sky’s ‘Britannia’ have awarded him an RTS and a BAFTA nominations respectively.

With over 30 years of VFX industry experience on 80+ titles across Film, TV & commercials, including 3 bond films. Paul is what can only be described as an expert in using Flame, having used the system since its inception. During his career he has encountered and mastered every conceivable type of shot. His extensive career has honed problem-solving skills, often finding solutions that elude others. As a seasoned compositor with many years of on-set supervision, Paul excels in putting directors and DOPs at ease while also directing support and 2nd unit shoots.

Paul is adept at supervising in-house teams and collaborating with directors or VFX supervisors to develop and refine shots. One of Paul’s proudest achievements was working on a complex 5000+ frame split-screen shot for Alien Covenant, where David teaches Walter to play the flute (same actor). The complex scene was attempted and failed by two other vendors, prior to Paul taking up the challenge. Variety called it the “best shot in the film”, highlighting its compelling nature and seamless execution with a single actor, praising Scott’s unmatched production value.

With over 20 years’ experience across film, television, advertising and music videos, Richard Coley joins Unit as VFX Supervisor, bringing a wealth of creative experience, technical expertise and a passion for visual storytelling.

Throughout his career, Richard has worked on a diverse range of projects, from Harry Potter and the Deathly Hallows: Part 1 and The Chemical Brothers’ The Salmon Dance to CG supervising the animated Formula 1 series Tooned during his 15 year stint at Framestore.

Most recently, Richard spent five years at Residence / Coffee & TV, where he helped lead the CG department and supervised work on projects including House of Disney, the Sky F1 and Lion title sequences.

Richard combines a hands-on creative approach with a passion for bringing out the best in the artists around him. He particularly enjoys tackling complex creative and technical challenges, finding smarter, more efficient ways of working, and creating an environment where teams can collaborate, experiment and produce their best work.