A team of dedicated artists and technologists devoted to crafting extraordinary creations.

Nuno joins UNIT with a wealth of experience, responsible for the technical and creative execution of several world class titles and commercials. He is also proudly holding nearly 20 years of experience in commercials, TV and Feature Films. 

After graduating in Fine Arts, Nuno began to discover his true passion for creating outstanding imagery and watching an idea created into reality. With this spark, he began to pursue his career starting as a Generalist TD at Objetivo 49 in 2006 before honing his craft at established VFX and post houses across the globe including The Mill, MPC and Gramercy Park Studios where he became Visual Effects Supervisor. 

Some of his Feature Film visual effects highlights include ‘Harry Potter And The Deathly Hallows part 2,’ ‘The Chronicles of Narnia;’ ‘The Voyage Of The Dawn Treader’ and ‘X-Men First Class.’

Nuno’s most recent work includes Amazon Studios series ‘The Rig’ and Netflix’s ‘No One Gets out Alive’ where he was the main Visual Effects Supervisor. His work on the series BBC’s ‘Supersized Earth’ and Sky’s ‘Britannia’ have awarded him an RTS and a BAFTA nominations respectively.

With over 30 years of VFX industry experience on 80+ titles across Film, TV & commercials, including 3 bond films. Paul is what can only be described as an expert in using Flame, having used the system since its inception. During his career he has encountered and mastered every conceivable type of shot. His extensive career has honed problem-solving skills, often finding solutions that elude others. As a seasoned compositor with many years of on-set supervision, Paul excels in putting directors and DOPs at ease while also directing support and 2nd unit shoots.

Paul is adept at supervising in-house teams and collaborating with directors or VFX supervisors to develop and refine shots. One of Paul’s proudest achievements was working on a complex 5000+ frame split-screen shot for Alien Covenant, where David teaches Walter to play the flute (same actor). The complex scene was attempted and failed by two other vendors, prior to Paul taking up the challenge. Variety called it the “best shot in the film”, highlighting its compelling nature and seamless execution with a single actor, praising Scott’s unmatched production value.

A highly experienced VFX Supervisor with over 20 years in the film and TV industry. From creature design to digital doubles, complex FX and compositing, Grant has built up a diverse and symbiotic skill-set that serves his abilities and production needs perfectly. Grant loves collaborating closely with other departments to support Directors in achieving their creative vision and enjoys the leadership role he plays during post production in leading creative and technical teams on the journey to bring the images to life. Running a VFX company for 10 years has provided experience and deep insight into heading creative teams and understanding the solutions to delivering cost effective, innovative and quality solutions.

Grant’s ultimate goal is to deliver the Director’s vision whilst supporting the story in a collaborative and supportive environment for all involved.

With extensive on-set production side experience in the UK, US and Worldwide for both features and episodic Grant has worked for Netflix, Amazon, Warner Bros, Universal, BBC and many Indie Producers amongst others.

Stephen brings more than 22 years of post production experience progressing to CG Supervisor during 15 years at Absolute Post. Most recently, he worked with Manchester-based Realtime, a studio specialising in feature film and television projects, before joining UNIT.

Stephen’s long career has seen him work on numerous CG characters and creatures – working across well known commercials, music videos, and television series’.

Stephen has over two decades of experience delivering high-end shortform projects for some of the world’s most prominent brands. His commercial highlights include the H&M campaign directed by Baz Luhrmann, where he supervised complex 3D and CG elements, including full building scans and a demolition of a stately home, integrating live-action performances with intricate digital environments. On Adidas campaigns, he developed and executed detailed CG environments that brought dynamic, sports-inspired visuals to life, seamlessly blending real and digital elements. Working with Lidl, he managed the creation of full CG extensions and product integrations – balancing technical precision with creative storytelling to achieve impactful visuals under tight production timelines.

At UNIT, Stephen leads the multidisciplinary studio’s 3D department, overseeing project delivery, resourcing, and team supervision. He applies his expertise to elevate the studio’s established 3D capabilities, ensuring each project combines technical ambition with creative impact.